Whether traditional or contemporary, Native American artwork is both highly collectible and universally appealing. Native American art forms the basis of many exemplary public as well as private art collections.  People that collect Native American artwork can be very passionate about their collections.

Older, more traditional Native American artwork and cultural artifacts are not merely revered and / or emulated by modern artists, they are also held dear as parts of art collections the world over.

Fine Native American art done by well known American Indian artists, such as Nampeyo, the Hopi potter, can raise the caliber of a private or public art collection quite significantly. Iris Nampeyo lived on the Hopi Reservation in Arizona. She made a good income making pots and selling them at local trading posts.

A remarkable aspect of Nampeyo’s work is that over time she became more ad more interested in making pots according to ancient ways, as opposed to the modern pottery that was being made by people at the time. The quality of her work, as well as her interest and use of ancient pottery techniques certainly add to the demand and high price tags of her work.

If you find yourself in the market for Native American art antiques, be prepared to pay the price. Particularly with Native American art, availability doesn’t correlate to demand or cost, as is the case with many other highly collectible art types.

Items such as early Plains beadwork or late nineteenth century basketry are certainly examples of what would be considered extremely rare finds in the world of Native American art auctions.

When choosing from various art pieces, compare styles, read and research. This is really the only way to educate oneself about the various types of American Indian art. Then it’s time to shop around. Just like anything else, you won’t know what’s available unless you take the time to comparison shop.

During the 1900s many of the Native American art and crafts that other peoples associate with American Indians began to be commercially produced, especially by Asian nations. These Native American fakes became so widely purchased that several millions of dollars were taken from the American Indian artists in the form of cheap imitation Native American art.

Before purchasing Native American art antiques it’s a good idea to perform additional research has to the authenticity of the piece or pieces. Unless you’re highly knowledgeable on the topic and have experience spotting fakes, this type of art can be extremely hard to verify by inexperienced sight alone.

All in all, collecting American Indian art antiques is just like collecting any other antique, the definitive and primary timeframe is anything that is pre-1950s. Although a name that is well known can seriously increase the value of an object, condition, workmanship and prevalence are factors that are just as important.

Increasingly, even seasoned art dealers that deal in American Indian art find it difficult to discern authentic art antiques from imitation pieces. For this reason, it is particularly important to opt for dealing with reputable sources. In order to ensure that your perfect Native American art antique  is the real deal it’s worth taking the time to locate such a well known art dealer or museum.

There are specialized art museums and dealers that offer Native American art pieces. These organizations generally are most interested in promoting Native art and cultures. The better of these institutions and organizations directly invest many of the profits gained from the sale of art pieces back into the Native American community.

When it comes to collecting Native American art antiques or any other type of art, don’t buy it unless you absolutely love it. Your best pieces are going to cost a pretty penny. If you don’t fall in love with a piece, chances are you’re not going to like it any better once it’s on your wall. So hold out for the perfect piece, you’ll be glad you did.

American Indian art encompasses many types of arts and crafts, from the more traditionally and / or stereotypically Native American art such as beadwork and pottery, to modern photography, fine paintings, sculptures and the like. There are many art auctions, both online and off, that feature this form of American Indian art.

In this article we’ll discuss one of the most traditional and historically relevant branches of American Indian art: beadwork. Beadwork of the Native American peoples had and has practical as well as decorative; utilitarian as well as rich symbolic meaning.

Beadwork and making of the beads themselves is a very old craft. Stone, bone and shell beads (such as turquoise and semi-precious stones) are still made the same ancient way. Little affected by modern technology, the making of beads is still carried out in nearly the exact same way as peoples did thousands of years ago.

Sea shell bead pieces are among the most popular and well known pieces of regional trade importance for thousands of years. Nearly everyone has seen American Indian art pieces, from beaded necklaces to purses, belts and such.

For the last several decades modern beadwork has been replicated in oriental factories and very cheaply imported. This makes it a competing factor against the top quality beadwork done by American Indian craftspeople. The native American crafts people have lost several millions of dollars (just over an eight year period during the 1980s) to these fake native beads and beadwork pieces.

Historically, beads were carved from turtle shell, animal horn and deer hooves. These were often used for making rattling or tinkling pieces utilized in dance. Hunters often wore necklaces put together with animal portions, such as bear claws or wolf claws. These indicated a hunter’s prowess. Bones and seeds were often steamed to soften them for stringing and /or bending into various shapes.

As an example of beadwork used for a most practical purpose, the Iroqois League (Haudenosee) used white and purple wampum chains made of fresh-water clam shells to record sacred ceremonies, treaties and songs. This practice was used both before and after the coming of European settlers.

Many types of agreements were recorded with such beadwork chains. They were highly valued and cared for by their owners. European settlers mistook this care and reverence for wampum beads as a sign that the beads held monetary significance. As such, they mistakenly assumed that the word ‘wampum’ referred to money, when in actuality these important beads were much more like very important original documents.

To string beads, Native Americans used animal sinew that is split very fine with which to attach beads to clothing, though infrequently strong plant fibers such as hide thongs or nettle were used for these purposes.

Today, the Navajos as well as some pueblo people still make the ancient bead type called the heishii. This is by far the most popular and high quantity type of beadwork that is still made today as it was in ancient times. These necklaces are also referred to as story necklaces as they can be used to tell stories, with each bead representing a character.

Beads and beadwork are a very important part of archaeological explorations of pre-European history. Beads have survived thousands of years and tell many fascinating stories about times we weren’t around to witness. This is particularly true with respect to beadwork mad of sea shells. Ancient shell beads have been found thousands of miles from seas, which indicates various trade routes and contacts among different groups of people.

Today American Indian artists even create digital beadwork designs to help them make actual beadwork pieces. In this way complex designs and pieces can be tested on the screen before the project is begun. This has certainly added to the creative process for many beadwork artists.

Beadworking weaves through native history both in ancient times as well as in today’s modern computer technology. The most important aspect of beadwork, though, is not what can be sold or gained, but personal pieces that are only given among family and friends. The true meanings behind these pieces are personal associations tied to visions, important perspectives and other things that an individual wishes to be reminded of.